Thursday 27 October 2011

Premature NaNo-ing

Yes November is nearly here again and bringing with it the wonderful NaNoWriMo. The month of the year when masochistic writers the world over pledge themselves to write a novel in one month... or at least 50,000 words of one. From the 1st to the 30th of November we'll be beavering away attempting to jot down at least 1666 words a day (or there about) in order to hit that jackpot total and be crowned a winner of the NaNoWriMo. What do we get as a prize for this epic feat? Well, a 50,000 word novel of our choosing and a bit of a pat on the back. Seriously.

We must be mad, barmy, utterly intent on the destruction of our own minds. It takes use 11 months to recover from this insanity and then when the next November comes around we jump up and down and say 'I want to go again!!'

Well, madness of madness, I'm going for NaNoWriMo+1/2 from the 16th of October to the 30th of November I'm going to write Dead Meat, all 90,000-ish words of it. This means a total of 2000 words every day for 45 non stop days. I'm currently at 21,000 words and still working, having fallen ever so slightly behind on monday and tuesday this week, so I have to step up a bit over the weekend but I can do it, I know I can. The blog and other such things may suffer slightly as a side effect, but hopefully I'll be ready and raring to go come the end of November.

Until next time (hopefully before the end of the writing effort)

Saturday 15 October 2011

Rockabye Baby

Have just found the best albums EVER! Called Rockabye Baby they are Lullaby Renditions of some really great rock and metal bands. Dependant on the song they sound a little like xylophone music and are totally instrumental. Have to say I loved them from the get go and have now picked up MP3 copies of AC/DC, Metallica, Nirvana, Led Zep and Green Day, and I don't even have any children yet!

So if you're a bit of a rocker like me and you want you're little ones to grow up with an appreciation for good melodies for a young age pick these up, there's lost of bands to choose from (I'm hoping they're going to do an offspring cover version soon). Though I will add a note of warning, some of these songs WILL send you to sleep!

Thursday 13 October 2011

Making sales!

Well it's official, The book is up, strangely it decided to do it pretty much by itself. I'd uploaded to Amazon and was waiting for it to be approved, i wasn't intending to put it up as for sale until Halloween but i woke up yesterday morning to find it had hit the shelves at almost exactly the full moon last night. This is probably what e-books do anyway, they just get approved and then they're available, but the timing with the full moon and it being a werewolf novel just seemed so perfect. So if anyone is interested in picking up a copy then head on over to amazon http://www.amazon.co.uk/Blood-Born-Unnatural-Kingdom-ebook/dp/B005UNIHIE/ref=sr_1_2?ie=UTF8&qid=1318501960&sr=8-2 and pick up a copy, If you like it then I'd greatly appreciate a review. Okay now I'm just being cheeky. I've sold a couple of copies and am 15,000 and something on the sales listing for kindle, hoping a few other people will pick it up and I get into 14,000 and something. I have to say that amazon have thrown me a bit, you'll understand more if you read my last post. They've added VAT on top of the price I gave them so the book is currently on at £1.71 and that's the lowest I can get it. Still, I'm hoping people will realise it's worth and really enjoy it.

Tuesday 11 October 2011

The Ebook publishing wonder world (or: Percentages that shouldn't matter, but do)

Okay, so I'm new to the whole self publishing via ebook process, and no, I don't expect it to be the easiest thing in the world otherwise we'd have an incredible amount of junk to wade through on the ebook racks (not that this isn't still the case, but whatever). I can't help thinking that there is, for starters, a serious USA bias to run up against and then there's the individual methods of distribution themselves, and then there's the larger issue of having to just say goodbye to so much of the profit and smile like it's fair. Suffice to say I've had a VERY annoying couple of days.
So let me get some of this off my chest.
One, I live in the UK, much of my marketing is UK based, and I'm imagining that a fair to large proportion of any of the money I make will come from UK sales. So why is it that I have to PAY THE IRS IN AMERICA??? This is the Smashwords issue that had me saying WTF yesterday. Unless I can provide several pieces of written evidence that I live in the UK and pay tax in the UK, 30% of my profits will go to the US Government! and then I'll still have to pay tax here if I ever earn enough. The Smashwords site itself says that it's not worth bothering to try and stop them taking the 30% unless I start making huge sales, enough to make the pennies add up. This is a mind set I have problems with. I may not be in this for the money, anything that does hit my coffers is earmarked for my children (when they start turning up) but I'm certainly not interested in giving anything to the government of another country, one who can't manage the money they do have, no matter how small the amount. Despite having advertised that I'll be available on Smashwords this had made me think twice about publishing with them, its looking doubtful that I will.
On the continuing subject of smashwords, and their MeatGrinder software as they call it. I have no real problem with the software, I actually think it's quite clever. It took me a few goes to get the format to work out okay but its a fast and efficient piece of kit. With one exception. It tries to manage too many conversions from one file. I can get the formatting PERFECT for kindle, but ibooks doesn't like it, I try to fix the ibooks bugs and kindle goes funny. I have to get it right for both in one file but based on the smashwords style guide (which is not a very well written article, but admittedly beats the hell out of Amazons online guidance for Kindle).
Yet another thing that has me thinking, why bother with smashwords? It doesn't even seem to be a particularly effective direct to reader distribution site even if it does send out to so many other groups. Strike 3 for smashwords. I'm going to wait and see what the non automated response is from them but it's not hopeful.
So then there's Amazon. Giant of the internet. Huge selling tool and instantly recognisable house hold name. You also insist on trying to make us sell based on US dollars, although you do offer the option of going our own way with prices for each of the sites (.com .co.uk .de and .fr) Something smashwords does not offer and probably a main reason for the whole IRS issue. You set the option that I can have all prices reflect the US price but there's no option to set the UK price and have other currency options reflect this. Then there is your thresholds. 70 or 35 % profits. You know that by setting the price low we'll make better sales, but you get the lions share of the profits by saying we can't have 70% until we hit the £1.45 mark in the uk or $2.99 in the US (incidentally these two numbers DO NOT tally if you set the price to $2.99 and say 'reflect in other currencies' the UK price becomes £1.93 by current exchange rates, just one of those niggling annoyances with me).
Now since I've written the book, edited the book, formatted the book, done the cover art, paid for advertising, and with the exception of my wonderful proof readers who I love and adore, done ALL the work myself up until the point when it arrived on the Amazon server where you ran it through an automated program and after a quick review it'll appear on a web page which is just as automated in construction and which requires me to input any significant info to improve sales. Do I seriously think that amazon deserves to pocket 65%?

So here I am, standing on the edge of the precipice. A head of me lies the world in which my book is published and out there for all to see and I have two roads to take. On one path I throw my arms in the air and say 'free love to all' give my book to the people in the 99c bracket (for god forbid I should want to charge in sterling) Let the american government use my money to buy staples for the white house typists, let billion dollar profit making power house Amazon absorb 65% of my profits in a process so devoid of human involvement I wonder if organic eyes will ever even see the figures.
Or I go the other way, I step out onto the road and say to all those around me 'Look. It's taken me five years to write this book. I love it like my own child, and I want you to love it too, but I don't see why the powerful should profit so disproportionally over the individual.' I hope when I wander down that road with my prices set at $2.99 and £1.45 people will understand that the extra 50p I've added to the book isn't because I'm greedy, I fully expect to sell less and probably make less because of it. That 50p is me making a very small stand and saying my hard work isn't something for others to exploit. Some of you may well disagree, and that's fine, like I say, I'm new to this. However I think I won't be alone in my view, and I'm happy to market what I think (considering some of the things out there I've read, or tried to read) is a damn decent book, for a very reasonable £1.45.

Wednesday 5 October 2011

About Writing…

Out with the old and in with the new, it’s nice to set yourself out a clean slate every once in a while especially when the old slate had holes and a tendency to act irrationally. So I should say welcome to the new blog which goes along nicely with the new website, www.hollywebsteronline.co.uk the new Twitter http://twitter.com/#!/WebsterHolly and the new Facebook http://www.facebook.com/UnnaturalKingdom . All this newness is of course geared up to promote the new book, Blood Born, which is finally hitting the e-reader shelves on Halloween. Yes, I am that corny.


In order to kick off the new blog, I though I’d come at you with a theory (not the only or the all defining theory, just one among many) about writing, specifically creative writing, where the ideas come from and why sometimes writing the story out is the only thing that keeps you from going completely bonkers (I like the word bonkers, for some reason it makes me think of cats).


It’s often hard to really define where an idea comes from, since in my experience at least, it seems to happen without really any warning. Blood Born, for example, the initial catalyst for that idea was a singular line from a movie (‘there’s no such thing as safe sex with a werewolf’ - Cursed, 2005) within a few seconds of hearing the line two distinct if fairly basic characters and several scenes had popped into my head. I knew WHY they’d appeared but it was impossible to really say WHERE they’d appeared from since there was no conscious thought that went into their creation.

In an attempt to explain the process I took a little break from reality. Nothing new for me. I realised there must be something preceding the conscious imagination that picks the ideas out of the memory and feeds them to the imagination in chunks it can handle. I called this the Process of Uncensored Creativity (PUC). This odd little mind filter is, to my slightly twisted imagination, actually a little character all of its own. A strange hovering mechanical drone like creature inexplicably possessed of some level of independent consciousness. Looking like a cross between a Star Wars probe and something designed by HR Geiger, PUC hovers above the pit of my consciousness, its long jelly fish tentacles siphoning through the depths of my brain scavenging bits from every random sci-fi, fantasy, horror, book film TV show and documentary I’ve spent my whole life absorbing. PUC pulls out interesting strands here and there knits together outlandish characters and plotlines into a demented Frankenstein tapestry before waving it relentlessly in front of my imagination, matador style.

Now PUC isn’t exactly subtle, once it finds an idea it likes the taste of it will keep stitching on new bits to the end until it’s something like a magicians scarf, it just keeps going and going. I must take a moment to state that PUC mustn’t be ignored when it starts doing this, to do so risks being hounded night and day until you just can’t take it anymore. The only thing to really do is start writing, taking what PUC has handed out and moulding it, making it at least slightly believable (PUC doesn’t feel the need to make things believable). Only once an idea is written out will PUC back off and start working on something else.

Unfortunately by that point I’ve started seeing the potential, and I no longer need PUC to keep bugging me about it, I can do that fine by myself. Soon the story starts to take on a life of it’s own, and it seems mean to neglect it. PUC is happy enough to keep supplying extra little bits of information to keep the story ticking along, but the really hard work of fitting everything in, covering all the bases and making it flow isn’t something it’s concerned with.

In the end you’ve got a great little piece of fiction, and maybe a few weeks to recover before PUC starts up again. If you’re lucky.